These two new typefaces both obey and reject the grid at the same time. They feature wonderfully quirky latin glyphs, maze-like in their even distribution between straight lines and curves. Likening his creative process to conducting an orchestra of letters.

Source: Benoît Bodhuin’s experimental new type work is informed by architectural signage

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.