When it comes to the actual process of designing, Frédérique’s approach is no less theoretical, relating greatly to the notion of “erring in thinking about design”. Erring is a process that relies on chance, intuition, circumstance or a combination of the three. “I try to operate in a state of openness and allow the ‘random’ to affect my work; I get most excited by the dysfunctional qualities of my process,” she explains, and “more often than not, the accident is better than the intent.” Frédérique’s resolute attitude to both research and process is perhaps a product of her varied education. “I took a few detours before studying graphic design,” she explains. “I was originally interested in pure and applied sciences and architecture.