Picasso 1932: Love, Fame and Tragedy at Tate Modern

One of the best things about Tate Modern's Picasso exhibition is it contains some terrible art. I mean real howlers. Paintings in which we see the modern master fluffing his lines and losing his form. It's such a relief. Not because we learn he is fallible like the rest of us - we're not idiots, … Continue reading Picasso 1932: Love, Fame and Tragedy at Tate Modern

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